So, Who Won the “Random Reds” Giveaway?

Thanks for all of your great comments on last week’s “Seeing Red” post!  And without further delay, congratulations to Margaret McCullough of Okemos, MI.

Here’s the Random Reds bundle I pulled together from various collections…enjoy them, Margaret, and feel free to send us a pic of whatever you create with these!

RandomRedFabricPack

Past Endearments, as Interpreted by Lynn Wilder

We always love to see what Lynn Wilder’s been up to, and this particular blog posts shows off her interpretation of Judie Rothermel’s PAST ENDEARMENTS collection. Judie’s mix of cool pinks and blues with warm neutrals create a beautiful trans-seasonal look.  Once you’ve taken it all from this in-progress photo, be sure to read the full post at her Sew’n Wild Oaks blog, because there Lynn explains her Patchwork Math method for creating the blocks.  Thanks, Lynn!

past endearments - Lynn Wilder

Sew on the Go…Literally!

Sew on the Go...LiterallyCheck out this adorable sewing machine cover, cleverly disguised as a vintage camper! Even as it was being unpacked and still on the hotel luggage cart, it quickly became one of our more eye-catching – and amusing – booth samples.  Can’t you just imagine the little quilter stitching away inside it?

If you love vacationing with your sewing machine, you pretty much have to have one of these… This one was sewn up by Miriam Rawson in GRACIE’S SCHOOLHOUSE CLASSICS by Judie Rothermel – no better choice for a vintage camper than everyone’s favorite 1930’s reproduction fabrics!  Note that Miriam made hers a bit longer than the original pattern to accommodate her Bernina machine.

<  Need pattern information? The original design for the Vintage Caravan Sewing Machine Cover is by Janine at Rainbow Hare in the UK.

 

 

#marcusatmarket #marcusfabrics #quiltmarket2015 #makeitwithmarcusfabrics #auntgrace

It’s Official: PEPPERY is “Hot”!!

PaulaBarnes-SP15

It looks like Paula Barnes knew what she meant when she named her newest collection PEPPERY!  Just days into its official release, the collection of black, cream and beige small prints is a noticeable winner already! Easy to see, because these colors transfer from reproduction and historical quilts to modern, and they lend themselves easily to quilts and projects with a tailored, more masculine feel, such as out Heidi Pridemore’s project (coming soon as a download at your local quilt shops):

PepperyQuilt

Peppery prints example

Versatile, stashworthy Peppery prints are also great as subtly textured grounds for applique and needlework, like this example from Crabapple Hill Studio.

PEPPERY comes to your local quilt shop this summer – see the entire collection online now, and plan a project to enjoy all year long!

 

 

Mary Ellen’s HISTORICAL STRIPES, in Progress

HistoricalStripesBlocksMary Ellen Robison, of the Red Crinoline quilts design team (along with Paula Barnes), showed off these blocks from her in progress Richmond quilt featuring Paula’s HISTORICAL STRIPES collection.  The quilt was one of her projects from the Camp Blanding Retreat, one of their annual events.  From her blog post, I’d say everyone had a fabulous time, all 110 of them!!

 

Eventually, Mary Ellen’s quilt will look like this. Don’t you love the look of an all-stripe quilt?  You can create your own; visit Red Crinoline Quilts to order the pattern.

 

 

Victoria’s Violets Featured in McCall’s Quilting

McCallsMar15COVERHave you seen the McCall’s Quilting Mar/April 2015 issue yet? Look for the VICTORIA’S VIOLETS collection by Molly B’s Studio, featured in a quilt by Sarah Maxwell and Dolores Smith.  It’s featured on the cover.  The design makes great use of the distinctive stripe, the quilt’s focal point – see how nicely it shows up even when folded, on the cover of the issue!  Complete instructions are included in the issue, and a kit is offered through the magazine as well.

 

 

Another Quilt Market Begins!

The office is quiet today as several of our Marcus-ites are traveling to Houston for Fall Quilt Market 2014! Looking forward to their pictures!

Quilt Market is now in its 35th year (and Quilt Festival, the show for consumers, marks 40 years in 2014!)  Marcus has been attending since 1987, when we debuted with Judie Rothermel’s first collection of Aunt Grace 1930’s repros.  Here’s a peek at the Judie Rothermel collections we’ll be showing this weekend… AUNT GRACE SIMPLER SAMPLER and JUDIE’S ALBUM QUILT.  Check out the details of these gorgeous BOM programs.  No wonder she’s still the leader in 1930’s reproductions and historic fabric prints for quilters!

 

The Marcus Sew-Along Quilt, Revealed!

SALButtonHORZ14Here it is!

SALRevealedDo you love it as much as we do? We’d like to thank everyone who has participated for the past nine weeks, block by block, and, as I promised, the end result is beautiful. Congratulations to everyone who kept up, and if you were not able to, we’re sure that this image of the finished quilt will inspire you to catch up in the completion phase.

And thanks to all of our talented and generous designers for taking time to participate, including the gorgeous finishing design by Paula Barnes and piecing by Mary Ellen Robison of Red Crinoline Quilts with quilting and binding by Gloria Parsons of Olde Green Cupboard Designs.  

Complete instructions for the finishing are available on the Red Crinoline Quilts blog, but if you still need to catch up on the nine blocks first, here are the links to the blog posts:

Remember to leave a comment on the Red Crinoline Quilts blog for your chance to win the Grand Prize package:

SAL-GrandPrizeGiftPack

Who Won the Giveaways for WEEK #9?

Week9-CoinPursePrizeThanks to everyone for your enthusiastic response to our entire Sew Along, and Week 9 in particular  ; )  Without further delay, the winners of my personally curated Marcus fabric bundle and Vintage Coin Purse Kit are:

  • Laurie Smith
  • Grace Thorne
  • Kim Lange

Congrats to all – we’ll be in touch about your prizes.  And remember, everyone, you still have a chance to win the Grand Prize basket when you comment on the Big Reveal Blog post (October 3).   –   lisa

Marcus Sew-Along, WEEK #9

SAL-LisaBlockOnMatCROPPEDHi, I’m Lisa Shepard Stewart, marketing manager at Marcus.  If you’re a regular reader of our website, blog posts, press releases and newsletters, chances are I’ve written it.  In addition to working part-time for Marcus, I own a company called Cultured Expressions, specializing in the creative use of authentic African textiles for decorating, quilting, sewing and crafts.

Well, if you’ve followed us this far in the sew-along, you’re likely already a big fan of Repro prints.  But even if you’re like me, and the Repros aren’t necessarily your go-to category when you quilt, I’d encourage you to try mixing them in with your favorites and see what happens.  (The many deep, saturated colors and earthy tones of some repros would look great pieced in with bogolan / mudcloth from Mali or even Indian raw silks for a different take, but I digress…)

By now I know you can’t wait for the big reveal of the “Friends & Companions” quilt next week, so let’s get on with the instructions for the final block!  For this block, you’ll need the following from Paula Barnes Companions:     1035-0112 Black, 1034-0111 Burgundy, 1702-0116 Sage, 1038-0188 Beige, 1033-0128 Cheddar

Cutting Instructions:

— from Burgundy, Sage, and Cheddar:  Cut (1) strip 1½” x 15″ long
— from Black, Sage: Cut (4) squares 1½”
— from Beige:  Cut (4) strips 1½” x 2½” and (4) strips 1½” x 3½”

                        (OR Cut one strip 1½” wide x at least 28″ long (for Alternate piecing method)

Block Instructions (Read thru all steps before you begin)SALHowTo1

1. Sew burgundy strip to sage strip. Sew cheddar strip to the other side of the sage. Press. From this pieced strip, cut (4) 3½” sections.

2.  Sew one sage square to each of the four 2½” beige strips. Sew one black square to each of the four 3½” beige strips.*

SAL-Howto2

Note: In the first photo, the beige strip under the machine needle is about to be trimmed down to 2.5″ as the first two were. Next, the units are simply cut apart, then pressed.

(*As an alternate piecing method, stitch the first square to the beige strip. Without removing the piece from the sewing machine, trim the beige strip to 2½” long, Stitch the next sage square to the remaining length of beige strip, and again trim the beige strip to 2½” long. Repeat until you have the four green-tipped strips, and four black-tipped strips. Cut strips apart; press.

3. Stitch the green-tipped strips to the four Rail Fence sections, lining up the sage square and cheddar strip as shown.

4. Stitch the black-tipped strips to the units, lining up the black square to the burgundy side as shown.SAL-Howto3

5. Join the four units as shown; square up for an unfinished block size of 8.5″.

(Download the PDF version)

Week9-CoinPursePrizeRemember to leave a comment below for your chance at this week’s goodies – a bundle of Marcus fabrics in dark reds, one of my favorite palettes, and a Vintage Coin Purse Kit, a gift from Cultured Expressions, so you can create your own.  Good Luck, everyone!  

With your nine blocks now complete, we all THANK YOU for participating, and we hope you’ve enjoyed the process so far! Congratulations — your efforts will soon be well rewarded  ; )  See you next week for the Big Reveal!!  Late to the party?  Start from the beginning!